Yesterday, my good friend Debra Baida sent me through the link to the New York Times Abu Ghraib – Baghdad Bureau Blog. This came at the same moment I was preparing a post to discuss the first images to come out of the renamed, refurbished and relaunched Baghdad Central Prison.
By far the best, and possibly the only, extended photo essay of Abu Ghraib Baghdad Central Prison is by Wathiq Khuzaie of Getty Images Europe. There is also this brief video from the BBC.
New Era, New Penology
The BBC noted, “Along with the change of name, the Iraqi justice ministry is trying to change both image and reality, billing it as a model prison, open to random inspection by the Red Cross and other humanitarian organisations.”
This transparency is a refreshing change to the policy of Abu Ghraib’s former operators. The work is not yet complete though and the upgrade is ongoing. The BBC describes, “[The prison] will eventually be the city’s main jail, holding about 12,000 inmates. Initially, only one of its four sections will be used. There are already about 300 prisoners there to test it out and, once the prison has been officially inaugurated, that figure will rise to 3,500.”
So, not only do Iraqi authorities want to repurpose the institution, they want to make it the penal institution of “The New Iraq”. This is an ambitious policy riddled with dangers; the site is loaded with memory and controversy. As the New York Times notes, “the promise of a new era can also be a time for remembrance.”
I highly recommend one goes onto read accounts from Iraqis, correspondents and photographers who lived and recorded Abu Ghraib’s recent history, particularly photographer Tyler Hicks’ account of Saddam’s prison amnesty in October 2002 that turned from celebration to human catastrophe.
Two things struck me about the photographic series of the new prison. Firstly, the number of flags, insignia and national colours across walls, above fences and emblazoned on uniforms. The Iraqi authorities have stamped their identity all over this project. It is the presentation necessary to supersede Abu Ghraib’s reputation.
Secondly, the pastel palette of many of the interior shots – namely the ubiquitous lilac. I want to know who has the decision-making power at Baghdad Central Prison! However, I suspect lilac paint was cheap and readily available; so it wasn’t so much a decision – more a fact created by circumstance.
Following that logic, one could presume lilac and purple fabric & thread is also at a surplus in Baghdad…
I don’t want to sound facetious, I was just shocked by the light purple, which according to colour theory is supposed to evoke emotional memory and nostalgia. Darker purples are supposed to represented, nobility, royalty and stability. From those evocations one is instilled with wisdom, independence, dignity and creativity.
If Baghdad Central Prison is to spur such emotional response in its inmate population it will succeed where many, many prisons have failed.
Basically, I am hopeful that the new prison can operate justly and succeed with the rehabilitation it emphasised this week. And despite all the lilac, soft-furnishings and current open media access – in reality it remains a prison with doors, locks and guards.
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